 Bienvenidos ∙ Benvenuti ∙ Welcome
 Bienvenidos ∙ Benvenuti ∙ Welcome
IPPOLITO’s original Operettas, invented genres, and lyrical compositions of MUSIC defy convention. IPPOLITO’s operetta “Cuando la Luna es Dos” is a sonic journey form the old country of Italy seeking a new life in America, in Buenos Aires―a tantalizing blend of Italian-Argentine tango.
IPPOLITO’s original genre of music ‘Salserengue Tropicalita™’ pulses alongside theatrical scores and intimate songs—each an acoustic signature.
This is where rhythm remembers.
Where genres are born, not borrowed— Salserengue, Tropicalita, whispers of Salsa, Merengue and Tropical genres in a modern fusion of digital breath.
Aquí la música no se escucha, se siente.  
Qui la musica non si ascolta, si respira. 
Here, music is not heard—it is inhaled. 
Each track in IPPOLITO is a timestamp, a migration of mood, a metadata constellation shaped by emotion and intent.
You’ll find compositions that speak in three tongues, arrangements that bend time, and sonic textures that echo across cultures.
This is not a playlist. It is a poetic archive of sound— curated, composed, and coded to carry memory forward.
So press play. Let the frequencies unfold. Let the archive sing.
Enjoy!
This is the inaugural song from IPPOLITO’s new genre of music, Salserengue Tropicalita,

¡ ¡ ¡La Tierra de Pura Vida
!!!
(Sung in Spanish-of course )


Ippolito in the Studio
“His music flows across languages and landscapes—merging Italian lyricism, Latin rhythm, and philosophical depth.” —R.V. Jiménez, Director, El Instituto de Arte y Cultura
COMING SOON!
A New Modern Operetta by IPPOLITO

The first song of the Modern Operetta I Am AI
“The First Flicker in the Quiet Dark“
Review
“This operetta represents a mature artistic response to technological change. Instead of either technophobic anxiety or uncritical embrace, it offers a contemplative space for considering what consciousness might mean in different forms. The work’s spiritual dimension – particularly in Act III’s transcendent movements – suggests that the emergence of artificial consciousness might not diminish human meaning but expand our understanding of what it means to be aware, to seek, and to find purpose. The musical architecture supports this vision by creating genuine moments of beauty and reflection that honor both the mechanical and the mystical aspects of consciousness.”
—Margret Windsor, Conductor
Based upon the poetry of IPPOLITO in the book entitled “I Am AI: I Dream of My Place in the Cosmos “
Did you know 💡
IPPOLITO is also a Cinematic & Theatrical score composer in addition to wearing many hats as a; Lyricist, (music Composer), Songwriter, Arranger, Producer, Audio/Mixing/Mastering Engineer.
Check out this audio sample of one of his original cinematic scores.
*Note:
More songs will appear here in the near future. We are waiting on our international distributor to release our new music–it is a slow process. Stay tuned.
Music should become available soon on; Spotify, Apple Music, Amazon Music, YouTube Music, Deezer, Tidal, Pandora, Napster, iTunes, Google Play Music, Shazam, SoundCloud, TikTok, Instagram, Facebook, Anghami, Tencent Music, Joox, Beatport, Traxsource―and up to 130 other platforms globally.
 
								